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Feature

 

The Poet's Manual and Rhyming Dictionary

 The most extensive rhyming dictionary available. Reference no writer of verse can afford to be without.

 

 

Sonnet

More sophisticated than your average rhyming poetry, the sonnet is sometimes considered to be the most accessible of classic forms.

In its basic definition, a sonnet is a rhyming poem of fourteen lines with ten syllables per line, generally written in iambic pentameter meaning there is the rhythm ti-tum; ti-tum; ti-tum. Although there are many different varieties, the two most common variations of sonnets are; the English sonnet- popularised by William Shakespeare, and the Italian sonnet- or sometimes referred to as the Petrarchan sonnet due to the first major practitioner Francesco Petrarch.
 

Below is the example of an English sonnet, written by Shakespeare.

Sonnet 130

My Mistress' eyes are nothing like the sun;
     Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
     I have seen roses damasked, red and white,
              But no such roses see I in her cheeks;
     And in some perfumes is there more delight
There in the breath that from my mistress reeks.
     I love to hear her speak; yet well I know
That music hath a far more pleasing sound;
          I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground
     Any yet, by heaven, I think my love as rare
     As any she belied with false compare

 

A
B
A
B
C
D
C
D
E
F
E
F
G
G

 
As can be plotted in this example, a sonnet follows a traditional structure:
• A proposition is set out
• The proposition is then developed
• Either a conclusion is reached, or there is a thought-provoking finale

Moving on to the Italian sonnet, the same conventions are followed, but the stanzas follow a different structure. The first stanza is composed of eight lines, and the second of six lines.

 
Below is an example of an Italian sonnet by William Wordsworth.

The World

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
     Little we see in nature that is ours:
We have given our hearts away, a sordid boon!
The sea that bared her bosom to the moon;
The winds that will be howling at all hours,
And are up-gather'd now like sleeping flowers;
     For this, for everything, we are out of tune;

It moves us not- Great God! I'd rather be
     A Pagan suckled in a creed outworn:
     So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
     Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

 

A
B
B
A
C
D
D
C

E
F
E
F
E
F

 
Here the proposition is put forward and developed within the beginning eight lines, and the solution/reconciliation is within the final six lines.


Submission Guidelines: The address to send your sonnet(s) to is: Sonnet, Forward Press Ltd, Remus House, Woodston, Peterborough PE2 9JX
Please remember to write your name and address on each piece of work you send.

Alternatively, you can email us your poems: inbox@forwardpress.co.uk (Please include your name and postal address.)


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