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Sonnet
More sophisticated than your average rhyming poetry, the sonnet is sometimes considered to be the most accessible of classic forms.
In its basic definition, a sonnet is a rhyming poem of fourteen lines with ten syllables per line, generally written in iambic pentameter meaning there is the rhythm
ti-tum; ti-tum; ti-tum. Although there are many different varieties, the two most common variations of sonnets are; the English sonnet- popularised by William Shakespeare, and the Italian sonnet- or sometimes referred to as the Petrarchan sonnet due to the first major practitioner Francesco
Petrarch.
Below is the example of
an English sonnet, written by Shakespeare.
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Sonnet
130
My Mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
There in the breath that from my mistress reeks.
I love to hear her speak; yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground
Any yet, by heaven, I think my love as rare
As any she belied with false compare
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A
B
A
B
C
D
C
D
E
F
E
F
G
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As can be plotted in this example, a sonnet follows a traditional
structure:
• A proposition is set out
• The proposition is then developed
• Either a conclusion is reached, or there is a thought-provoking finale
Moving on to the Italian sonnet, the same conventions are followed, but the stanzas follow a different structure. The first stanza is composed of eight lines, and the second of six lines.
Below is an example of an Italian sonnet by William
Wordsworth.
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The
World
The
world is too much with us; late and
soon,
Getting and spending, we lay waste
our powers:
Little we see in nature that is
ours:
We have given our hearts away, a
sordid boon!
The sea that bared her bosom to the
moon;
The winds that will be howling at
all hours,
And are up-gather'd now like
sleeping flowers;
For this, for everything, we are out
of tune;
It
moves us not- Great God! I'd rather
be
A Pagan suckled in a creed outworn:
So might I, standing on this
pleasant lea,
Have glimpses that would make me
less forlorn;
Have sight of Proteus rising from
the sea;
Or hear old Triton blow his wreathed
horn.
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A
B
B
A
C
D
D
C
E
F
E
F
E
F
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Here the proposition is put forward and developed within the beginning eight lines, and the solution/reconciliation is within the final six lines.
Submission
Guidelines: The address to send your
sonnet(s) to is:
Sonnet, Forward Press
Ltd, Remus House, Woodston,
Peterborough PE2 9JX
Please remember to write your name and
address on each piece of work you send.
Alternatively,
you can email us your poems: inbox@forwardpress.co.uk
(Please include your name and postal
address.)
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